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Genesis guitarist from 1970 to 1977 and a Rock and Roll Hall of Fame inductee, Hackett recruits for his latest solo disc people from all around the world on what he considers a “world-music” version of rock-heavy material. Steve Hackett, “The Night Siren” (InsideOut Music). Gonzales, a writer and arranger and pianist for Feist and Peaches, and Cocker, former lead singer for the great wise Britpop band Pulp, assemble a 16-track song cycle about the infamous Hollywood locale Chateau Marmont and all the dreams, drugs and drags that have taken place there. When he was still in his teens, Eric Gales was drawing raves as a guitarist in the Eric Gales Band during the 1990s, and now, at the age of 42, the Memphis bluesman is freshly sober but still intense on a set of songs that feature Lauryn Hill, Gary Clark Jr., Raphael Saadiq and his brother Eugene.Ĭhilly Gonzales/Jarvis Cocker, “Room 29” (Deutsche Grammophon). French Vanilla’s members, who were all UCLA undergrads upon getting together a group in 2013, identify with and participate in the Los Angeles “queer arts” scene, and FV’s debut album recalls X-Ray Spex and early Sleater-Kinney.Įric Gales, “Middle of the Road” (Provogue/Mascot Label Group). Foster, a Texas blueswoman and folkie whose immensely skilled and subtlety-capable voice brings the titular joy on songs by Black Sabbath, Chris Stapleton, the Four Tops and Mississippi John Hurt.įrench Vanilla, “French Vanilla” (Danger Collective). Derek Trucks plays slide guitar, Willie Weeks plays bass and Warren Hood plays fiddle and mandolin for Ms. Ruthie Foster, “Joy Comes Back” (Blue Corn Music).
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Pop band from London issues its debut full-length of music that freely, even cheekily mixes post-punk rhythms with electronica beats and a kind of Vampire Weekend cool nerdiness with the strut of semi-classic Duran Duran and Frankie Goes to Hollywood. Goaded by producer and multi-instrumentalist Josh Kauffman, the Hold Steady’s frontman converts a number of “folky” songs into much more varied rock and pop music on Finn’s third solo LP, which arose in part from his attempt to write political and personal songs during each day of Lent.įormation, “Look at the Powerful People” (Warner). Two years after winning a Best Latin Jazz Grammy for her album “Made in Brazil,” the limpid and sensual Sao Paulo singer and pianist returns with solid jazz players, a very solidly relaxed jazz style and a celebration of samba, a Bahia genre that has now been around for over a hundred years.Ĭraig Finn, “We All Want the Same Things” (Partisan). Swedish rock band around since roughly 1999 hasn’t experimented much with “nu metal” or “screamo” or any of its home country’s variations on death metal, and that’s mostly to its credit on a new record of old-school chunkiness.Įliane Elias, “Dance of Time” (Concord Jazz). As they increase in popularity, the Dollyrots - formed by Kelly Ogden and Luis Cabezas, who also share parenting of two kids-have also increased the fun they’re having on a new disc that makes pop-punk dancing a probability and remakes Katrina and the Waves’ “Walking on Sunshine.”Įclipse, “Monumentum” (Frontiers Music Srl). The Dollyrots, “Whiplash Splash” (Arrested Youth/MVD). Tennessee native Seventh-place finisher on the 11th season of “American Idol” drops his fourth post-“Idol” full-length and carries on delivering a gentle Christian faith within pop songs that are nearly as modern as Justin Bieber’s. UK group with male and female singers seeks to put Goth and horror-show flamboyance back into across-the-pond punk rock on an introductory long-player that could be compared without much shame to Lacuna Coil and My Chemical Romance.Ĭolton Dixon, “Identity” (Sparrow). With her neatly titled fifth album, Norman, Oklahoma resident, with the recording help of California-based indie guy John Vanderslice, generates a weird, Sam Phillipsian folk-pop allure within songs she wrote when she wasn’t knocking out shifts and pies at a pizza joint.Ĭreeper, “Eternity in Your Arms” (Roadrunner). Samantha Crain, “You Had Me at Goodbye” (Ramseur). Eleven years after her most recent studio long-player, country singer and Waylon Jennings’ widow Colter returns with Biblical force on a Lenny Kaye-produced set of songs based on the Old Testament book and coinciding with her April autobiography, “An Outlaw and a Lady.” Jessi Colter, “The Psalms” (Legacy Recordings). The high-voiced singer of such adult-contemporary songs as “You’re Beautiful” co-writes with OneRepublic frontman and much-employed producer Ryan Tedder and his friend and fellow Brit Ed Sheeran on a fifth full-length that is supposed to be more confessional than its predecessors.